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This view from behind "The Hall of Thirty-three Bays" at first seems monotonous, but actually
is a skillful expression of the use to which the long rear veranda was put: it was an archery
range, and Hiroshige's depiction conveys the sense of a speeding arrow. A shooting trial in
fact seems to be under way here, since the heads of all the spectators in the foreground are
turned to the left, watching the course of an arrow as the archer shoots from a seated
position at the south end of the veranda to the right. The contestants were expected to shoot
the arrows so that they stayed within the confines of the veranda, clearing the length of the
building without hitting any part of it.
Reference: Braziller, "Hiroshige - One hundred Views of Edo"; Brooklyn Museum, 1986; no. #69. Shueisha (publ.), Ukiyo-e Taikei; vol. 17, no. 69; 1975. |