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"A suicide squadron of seven men came ashore under heavy fire in the battle of Weihaiwei.
Shortly after landing they scaled the hills leading to the gate of the fort and threw the
gate open for their companions." "TOSHIKATA's composition is deeply rooted in Japanese painting and in the mid-19th century printed triptychs of Hiroshige and Kuniyoshi. The anecdotal nature of this print is characteristic of the artist's style." (de Sabato Swinton) Reference:: - Elizabeth de Sabato Swinton, In Battle's Light - Woodblock Prints of Japan's Early Modern Wars; Worcester Art Museum, 1991; p.77, no. #43; col. ill. - Nathan CHAIKIN, The Sino-Japanese War; 1983; no. 81, p. 101, and col. ill. p.192. (Both publications give further information on the events and the scene here depicted.) |