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This truly remarkable work by Hiroshige II and one of his masterpieces, is hailed for its fineness, and is shown here
in a very sharp, clear impression. Bold parallel lines are laid upon the face of the composition to indicate rain, a
convention which was quite startling in its day. This design was added to the original set of 'One hundred views of
Edo' and replaced no. # 48, a different view of the paulownia grove by Hiroshige I, in editions published after the
first Hiroshige's death in 1858, probably because the printing blocks had been lost or destroyed. Reference: Ukiyo-e Taikei, vol. XVI, no 48-1 and 48-2. |