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| This truly remarkable work by Hiroshige II and one of his masterpieces, is hailed for its fineness, and is shown here
                      in a very sharp, clear impression. Bold parallel lines are laid upon the face of the composition to indicate rain, a
                      convention which was quite startling in its day. This design was added to the original set of 'One hundred views of
                      Edo' and replaced no. # 48, a different view of the paulownia grove by Hiroshige I, in editions published after the
                      first Hiroshige's death in 1858, probably because the printing blocks had been lost or destroyed. Reference: Ukiyo-e Taikei, vol. XVI, no 48-1 and 48-2. | 
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