The following prints are copies of famous surimono, some of them so-called Akashi
copies named after the Japanese town where they were reproduced in the 1890s. Surimono were often
commissioned by poetry circles and published privately in extremely small numbers.
Surimono represent the peak in Japanese woodblock printing techniques. Their costly production
resulted in very limited editions of a handful of impressions of each design only. So it doesn't
come as a surprise that Akashi copies and those by other Meiji period publishers have become
collectors' items over the last decades, - not only because of the sheer rarity of the original
prints, but mainly because of the often elaborate printing, incorporating special effects like,
a.o., blind printing, paper embossing or the application of metallic, gold and silver color elements,
which are the characteristics of high-quality surimono. -
The artists of the following surimono comprise copies of masterpieces by Hokusai,
Hokkei, Kuninao, Shumman, Shinsai, Toyohiro, a.o.
Size: shikishiban (around 20 x 18 cms, each) *** Date each: c. 1890s.
Reference (where available) shown together with the enlarged prints on the items' sub-pages:
"AoS": Roger Keyes, The Art of Surimono, 1985; vols. 1 & 2.
"AoS-App": as above, vol. 2
"RB": Ch. van Rappard-Boon, Japanese Prints
"RS": John T. Carpenter, Reading Surimono, 2008.
"SPE": Special Printing Effects, like: blind printing, metallic effects, black lacquer, e.g.
For original surimono, pls see examples at the top of this page.
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